The old farmhouse is
still but not really silent. Rodents scuttle in the attic and some little animal rustles in its nest under the eaves. The
kerosene lamp on the floor beside my chair hisses softly and casts shadows down the darkened stairwell. It's a little eerie,
but I'm comforted by the constant murmuring from the other side of the bedroom door.
Outside, the wind has
picked up and now the whole house seems to sway a little with each gust, creaking and groaning. Funny, I didn't notice the
force of the wind until a minute ago. Now it's obvious to me that a storm is coming this way. A hard rain will probably fall
sometime tomorrow.
What is it about being
in an old house at night that always gives me the creeps? This is even my own house. It was actually home until Mom died a
few years back. I can't bring myself to sell the place, even though I'll never live here. It used to be warm and full of familiar
sounds and smells, but now it's just a musty old place, full of heavy, draped furniture and peeling wallpaper. It doesn't
look anything like I remember anymore.
We've been here three
days and this is the third night. I've been living on a bottle of Gatorade I
had in my gym bag and a package of peanut butter crackers I found in my car. They said he wouldn't be hungry until after.
Just a few more hours. Christ, I hope so. I'm tired and I hate waiting. I've been waiting for one thing or
another for years.
I stand and look over
the banister rail to the hall below, watching and listening. I stretch and yawn. I've been sitting outside his door in an
armchair I dragged up the stairs from the living room. But it's a little too comfortable and I'm trying like hell not to doze
off. I can't risk another night like last night. Last night I slept.
I slept, and someone
got in -- in spite of all my precautions.
When we first arrived
here, after I got him settled in an upstairs room, I secured this area as well as I could. I ripped up the carpets in the
living room and front hall so that every unwary footstep would make the bare floorboards creak. I shoved the living room furniture
against the walls so there'd be nothing for an intruder to hide behind if he tried to make his way up here undetected. I shut
and locked all the interior doors. I stuffed and blocked both chimneys. The shutters were already nailed closed, so I didn't
worry overmuch about the windows. My focus has been the living room and front hall, the staircase, and the gallery in front
of his room. Nothing must interfere. No one must reach him. Right. So I go to sleep like a rookie and...
Oh. Now that I think about it, I guess I'm noticing the noises of the house because my prisoner has stopped
screaming for me to come back downstairs. Maybe that wound was worse than I thought. Ah, well.
I guess I should make
the rounds again. I check my weapon making certain that I have a full clip and a round in the chamber. I click the safety
off and ease down the stairs. This feels familiar: recon patrols in 'Nam made me feel this way. Exposed, edgy -- especially
after last night's intrusion. That thought reminds me again to check on my prisoner.
She stopped screaming
at me a couple of hours ago, so I'm not surprised to find her sagging listlessly against the headboard. She startled me out of my little nap last night by breaking through the kitchen door. My aim was off and
I only wounded her. The wound isn't too bad, and with the proper care I'm sure it would not be fatal.
But I'm not giving
her the proper care and she's lost a lot of blood. It's beginning to soak my mother's mattress.
While I'm checking
to make sure her wrists are still tightly cuffed to the headboard, her eyes slit open. She looks a bit feverish. Her voice
is raspy but stronger than I expected as she asks for water. I just shake my head and turn toward the door.
"Walter," she says
in a ruined voice. All that screaming, I guess. "Walter... Why...?"
I turn back and stare
at her. She's always been beautiful to me, and I love her blue eyes even now. But sometimes she's on the wrong side. Like
last night.
I know she found us
on her own. If that partner of hers knew where she was, he'd already be breaking the door down. She's alone, she's lost, and
she knows it. It won't hurt for me to talk to her.
"You shouldn't have
come, Dana. You shouldn't have tried to stop this."
"Walter... please.
You have to... you have to know what they're doing to him. Don't you? Don't you know what's happening in that room upstairs?"
"Of course I do."
"Then why are you...
oh, God... I trusted you! I thought you.... But you loved Mulder! You loved him. I know you did! Don't you know what this
would do to him?"
"Of course I do."
She's fading now, and
I know she'll be unconscious soon. Maybe she won't wake this time. She tries to speak again, but I think she just gives up.
The tears are falling down her face now and I brush one away with my thumb.
"Dana. Mulder told
me this would happen when it was time for us to know the answers. He wanted it to happen this way. I'm doing this because
he told me to."
"No... Walter. This...
can't be... Mulder is dead! Please!"
"They're giving
him the answers, Dana. All the answers. Everything Mulder wanted to know, they're giving to *him* right now. Everything. Can
you imagine what Mulder would have done with all the answers? This way, we'll get to find out."
"He'll be a monster...
just like Spender... Walter, can't you see that?"
I lean closer, kiss
her forehead and whisper, "He'll be able to tell us what to do. And he'll be able to tell me who killed Mulder and why. I
have to know, Dana. I deserve to know."
She's weeping silently
now, so I leave her to it and head back up the stairs to stand watch outside his door.
Just a few more hours,
and all the implanting will be finished. The others will go back where they came from and then Mulder -- twelve year old William
Mulder -- and I will leave this place. We'll be gone before the storm hits, before the rain starts falling.
He'll share Mulder's
truth with me. Together we'll tell it and think it and speak it and breathe it. I'll look at him and see my Mulder, complete
and whole and alive.
And this time, I won't
lose him. I won't fail him. I'll be beside him every step of the way.
***************
Written for
the 12th Lyric Wheel: The Horror Wheel
Thanks to Josan
for beta (and for the new title).
Archive: wherever
-- just let me know.
Thanks to Pollyanna
for the lyrics!
A Hard Rain's
A-Gonna Fall
by Bob Dylan
Oh where have
you been, my blue eyed son?
Where have you
been, my darling young one?
I've stumbled
on the side of twelve misty mountains
I've walked
and I've crawled on six crooked highways
Stepped in the
middle of seven sad forests
Been out in
front of a dozen dead oceans
I've been ten
thousand miles in mouth of a graveyard
And it's a hard
rain's a-gonna fall
And what did
you see, my blue eyed son?
What did you
see, my darling young one?
I saw a new-born
baby with wild wolves around it
I saw a highway
of diamonds with nobody on it
I saw a black
branch with blood that kept drippin'
I saw a room
full of men with their hammers a bleedin'
I saw a white
ladder all covered with water
I saw ten thousand
talkers whose tongues were all broken
I saw guns and
sharp swords in the hands of young children
And it's a hard
rain's a-gonna fall
And what did
you hear, my blue eyed son?
What did you
hear, my darling young one
I heard the
sound of thunder that roared out a warning
Heard the roar
of a wave that could drown the whole world
Heard one hundred
drummers whose hands were a blazin'
Heard ten thousand
whisperin' and nobody listenin'
Heard one person
starve, I heard many people laughin'
Heard the song
of a poet who died in the gutter
Heard the sound
of a clown who cried in the alley
And it's a hard
rain's a-gonna fall
Oh who you did
meet, my blue eyed son?
Who did you
meet, my darling young one?
I met a young
child beside a dead pony
I met a white
man who walked a black dog
I met a young
woman whose body was burning
I met a young
girl, she gave me a rainbow
I met one man
who was wounded in love
Another man
who was wounded with hatred
And it's a hard
rain's a-gonna fall
Oh what'll you
do now, my blue eyed son?
What'll you
do now, my darling young one?
I'm goin' back
out 'fore the rain starts a-fallin'
Walk throught
the depths of the deepest black forest
Where the people
are many and their hands are all empty
Where the pellets
of poison are flooding their waters
Where the home
in the valley meets the damp dirty prison
Where the executioners
face is always well hidden
Where hunger
is ugly, where souls are forgotten
Where black
is the colour, and none is the number
And I'll tell
it and think it and speak it and breathe it
And reflect
it from the mountains so all souls can see it
Then I'll stand
in the ocean until I start sinking
But I'll know
my song well before I start singing
And it's a hard
rain's a-gonna fall